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Geometry: Hands Underneath Shoulders. Chest Lifted. Legs Stretched Back. Toes point straight back. And Legs straight.
Arms Straight. Shoulders over wrists. Autocad 2013 otkrivaetsya i srazu zakrivaetsya. Actions: Lie on the floor in a prone position.
Face Downwards. The Feet are hip distance and parallel. Toes point straight back. Place the palms on the floor beside the lower side ribs. T he fingers point towards the head.
Spread the palms and fingers. Raise the head and trunk and stretch the arms completely. Lift the pelvis, thighs and knees away from the floor. Press the head and trunk as far back as possible without resting the knees on the floor.
The legs are straight. The weight of the body is on the palms and tops of the feet. The torso, thighs and calves are stretched fully. The pelvis presses down and the tailbone lengthens towards the heels. Press the hands to lift the chest and roll the shoulder bones back as much as possible. Lengthen the neck and take the head back and look up.
Bend the elbows and place the front of the body back on the floor in the prone position. Additional Points: Move the outer arms back to broaden and lift the chest.
Move the outer shoulders back to broaden and lift the chest. Move the shoulder blades down and into the body to lift the chest. Roll the tops of the front thighs in and spread the backs of the thighs out. Lengthen the tailbone down into that space. Press the arms straight to lift the torso and sides of the waist.
Lengthen both sides of the waist. Move the middle buttocks forward to take the pelvis forward. Lengthen the fronts of the thighs downward towards the knees. Extend through the inner thighs to the inner heels.
Lift the inner thighs up towards the ceiling. Broaden the ribs and the armpits. Press the pelvis down to lift and lengthen the chest. Take the lower sacrum in/down. Move the back ribs in to lift the chest. Elbows in/shoulders back just as in prasarita padattonasana remember to extend the fronts of the thighs down and internally rotate the thighs. The backs of the thighs roll out to spread the sacrum.
Thighbones move back and pelvis moves down. Remember to extend through the inner ankles. Press the little toe side as much as the big toe side of the foot. J ust as in adho mukha svanasana outer arms back. Outer shoulders back. Inner arms forward sternum forward trapezius muscles down and sternum forward and up press the hands to lift the chest up.
More upper back and arm work.
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GREAT MOTHER OM SHRI DURGAYE NAMAH - - - - - - - - - - - - - - - - - - - - - Shakti means strength, power, female energy; it is the female demonstration of the divine one. The veneration of the various forms of Shakti is largely diffused in India.
Toward halves the first millennium it affirms in the Asian subcontinent a new spiritual and religious tide: the shaktism. A myriad of forms of the great mother went to place side by side to the preexisting masculine hinduist divinities forming some divine couples. This tide notably also influenced the Buddhism so that to the various figures of the Buddhas were placed side by side by a female figure. Next to the masculine divinity,that represents the unchangeable one, there is the female divinity,representing the strength, the power and therefore the divine energy. This is a real religious revolution that also corresponds to a new spiritual view.
In the VII century AD the shaktism produced its sacred texts: the Tantras. The deepest roots of shaktism and tantrism can be individualized in the cult of the great mother of the prevedic people. These cults have analogies in the whole rest of the world and bring us to the origins of the spirituality. Or, black Mothers in the most ancient cultures, black goddesses in ancient Greece or black Christians Madonnas comes from one prototype. An archaic divinity that has withstood the sexist traditions as that Vedic, and that resurfaces with new vitality with the Durga and Kali cults in all their forms. Navdurga (the nine Durgas), the great mother, was born from the union of all the energies of the masculine divinities worn out by the endless struggle with the Asuras (demons).